mise en scene: narative/ editng:

mise en scene:

narrative

The narrative of a piece of media is closely related to the plot itself and how it is depicted through screenplay throughout. there are a few different ways that this can be done, simply showing the plot from start to finish the way it happens chronologically, and through starting the TV show or film later on in the plot and unfolding throughout or through different methods such as repeating single event and showing a different result or outcome from each. all will have different affect on the larger demographic, whether it is intrigue or suspense.

The narrative of a film or TV show is sometimes considered to be slightly apart from Mise en scene because the narrative itself is the way in which the story is told on the screen while mise en scene goes through more in depth into every aspect of the shot itself.

Editing:

continuity editing:

Continuity editing is the predominant style of film editing and video editing in the post-production process of filmmaking of narrative films and television programs. The purpose of continuity editing is to smooth over the inherent discontinuity of the editing process and to establish a logical coherence between shots.

In most films, logical coherence is achieved by cutting to continuity, which emphasizes smooth transition of time and space. However, some films incorporate cutting to continuity into a more complex classical cutting technique, one which also tries to show psychological continuity of shots. The montage technique relies on symbolic association of ideas between shots rather than association of simple physical action for its continuity

techniques of continuity editing:

Continuity editing can be divided into two categories: temporal continuity and spatial continuity. Within each category, specific techniques will work against a sense of continuity. In other words, techniques can cause a passage to be continuous, giving the viewer a concrete physical narration to follow, or discontinuous, causing viewer disorientation, pondering, or even subliminal interpretation or reaction, as in the montage style.

The important ways to preserve temporal continuity are avoiding the ellipsis, using continuous diegetic sound, and utilizing the match on action technique.

discontinuous editing:

Discontinuous editing describes the deliberate or accidental violation of rules of continuity when editing films. As a deliberate technique, it may be used to connote authenticity or to create alienation. The viewer's expectation of continuity can be violated by such methods as changing image size or tone between shots, changing direction or changing shots before the viewer has time to recognize what is happening. It is also known as montage editing, and employs a series of often rapid and non-matching cuts which creates a style the audience is conspicuously aware of, or alternatively that create uneven and unpredictable rhythms and emphasize the rapidity of movement between images.