"Editing establishes the structure and content of the production, along with the productions overall mood, intensity, and tempo."
Cuts-
- Match Cut- a match cut is a cut in film editing between either two different objects or two different spaces/locations in which an object in the two shots graphically match, often helping to establish a strong continuity of action and linking the two shots together
- Jump Cut- an elliptical cut that seems to be an interruption of a single shot. It occurs within a scene rather than between scenes, to condense the shot. (Either the figures seem to change instantly against a constant background, or the background changes instantly while the figures remain constant)
- Subliminal Cut- a cut consisting of a few frames which zip by so fast that the viewer is only subconsciously aware of them
- Flash Cutting- editing sequences so that the durations of the shots are very brief. This type of cut can also be called a short cut (a cut that has a brief duration, usually less than two second)
- Cross cutting- editing that alternates shots of two or more lines of action occurring in different places, usually simultaneous
Editing-
- Invisible Editing (seamless editing)- editing that is so smooth that viewers become engrossed in the movie and don’t notice the individual cuts
- Discontinuity editing- any alternative system of joining shots together using techniques not used in continuity editing. These could include mismatching of temporal and spatial relations, violations of the axis of action, and concentration on graphic relationships
- Overlapping Editing- cuts that repeat part or all of an action, in turn expanding its viewing time and plot duration
- Elliptical editing- shot transitions that project parts of an event, causing contextual clues in plot and story duration
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